Evangelion: 3.0+1.0 Thrice Upon a Time

Evangelion: 3.0+1.0 Thrice Upon a Time | Watch Online & Full Details

Evangelion: 3.0+1.0 Thrice Upon a Time

🎬 Title: Evangelion: 3.0+1.0 Thrice Upon a Time / シン・エヴァンゲリオン劇場版:||

Bye-bye, all of EVANGELION.

Story: In the aftermath of the Fourth Impact, stranded without their Evangelions, Shinji, Asuka and Rei find refuge in one of the rare pockets of humanity that still exist on the ruined planet Earth. There, each lives a life far different from their days as an Evangelion pilot. However, the danger to the world is far from over. A new impact is looming on the horizon—one that will prove to be the true end of Evangelion.

Rating: 8.2 (878 votes)

📅 Release date: 2021-03-08

⏱️ Runtime: 2h 35m

🎭 Genres: Animation, Action, Science Fiction, Drama

🎬 Director: Kazuya Tsurumaki, Mahiro Maeda, Katsuichi Nakayama, Hideaki Anno

✍️ Writer: Hideaki Anno

🌍 Countries: Japan

🏢 Production companies: khara

💼 Production:
💰 Budget: $29,700,000   |   📈 Revenue: $93,882,453

backdrop


👥 Cast: Megumi Ogata (Shinji Ikari (voice)), Yuko Miyamura (Asuka Shikinami Langley (voice)), Maaya Sakamoto (Mari Illustrious Makinami (voice)), Megumi Hayashibara (Rei Ayanami / Yui Ikari (voice)), Kotono Mitsuishi (Misato Katsuragi (voice)), Yuriko Yamaguchi (Ritsuko Akagi (voice)), Tomokazu Seki (Toji Suzuhara (voice)), Tetsuya Iwanaga (Kensuke Aida (voice)), Junko Iwao (Hikari Horaki (voice)), Miki Nagasawa (Maya Ibuki (voice))

Editor’s note: A brief editor’s note on Evangelion: 3.0+1.0 Thrice Upon a Time (2021): A confident blend of Animation, Action, Science Fiction, Drama, focused more on tone than spectacle. Under Kazuya Tsurumaki’s direction, the film keeps a steady rhythm and a clear sense of place. Performances (especially Megumi Ogata, Yuko Miyamura, Maaya Sakamoto) give the story human stakes. The 2h 35m runtime suits the material; scenes land without dragging. Strong viewer reception suggests it’s a safe pick if the premise clicks. Its tagline — “Bye-bye, all of EVANGELION.” — actually reflects the film’s intent. Worth a watch for the craft alone, even beyond the genre appeal.


Leave a Reply

Your email address will not be published. Required fields are marked *